This Land is Not Mine | Album performance @ dotolim, Seoul

Image: Florian Voggeneder / Ars Electronica Festival 2022

19th May 2023
8pm
dotolim, Mapo-gu, Seoul

Tickets and more information

Kat will perform her album This Land is Not Mine as part of the dotolim concert series.

dotolim is a longstanding experimental music venue and recording studio run by Jin Sangtae, which hosts performances and concerts with people with different perspectives in various fields, as well as film screenings and exhibitions.

The “This Land is Not Mine” LP combines 7 songs by musician and sound artist Kat Austen. Austenmelds acoustic and electronica with field recordings, in this homage to a landscape ravaged by open cast mining: Lusatia, at the German-Polish border. Realised over the course of 2 years, This Land is Not Mine is a modern-day protest album, telling the stories of villages lost to the past, rivers that harbour secrets and communities that rebuild in the wake of mine closures. 

Austen’s musical roots hail back to classical piano, metal and folk. Since 2018, Austen has been releasing music that mixes field recordings and ambient electronic sounds with traditional instruments to create a unique and evocative sonic tapestry. 

Some field recordings for the album were gathered through a crowdsourcing platform Lausitzklang that explores the sounds of Lusatia.

Book published: Co-designing Infrastructures

“Co-designing Infrastructures: Community collaboration for liveable cities” by Sarah Bell, Charlotte Johnson, Kat Austen, Gemma Moore, and Tse-Hui Teh

ISBN: 9781800082229

Publication: April 27, 2023

Series: Engaging Communities in City-making

Published by Open Access by UCL Press

DOWNLOAD From the UCL Press site

Co-designing Infrastructures tells the story of a research programme designed to bring the power of engineering and technology into the hands of grassroots community groups, to create bottom-up solutions to global crises. Four projects in London are described in detail, exemplifying community collaboration with engineers, designers and scientists to enact urban change. The projects co-designed solutions to air pollution, housing, the water-energy-food nexus, and water management. Rich case-study accounts are underpinned by theories of participation, environmental politics and socio-technical systems. The projects at the heart of the book are grounded in specific settings facing challenges familiar to urban communities throughout the world. This place-based approach to infrastructure is of international relevance as a foundation for urban resilience and sustainability. The authors document the tools used to deliver this work, providing guidance for others who are working to deliver local technical solutions to complex social and environmental problems around the world.This is a book for engineers, designers, community organisers and researchers. Co-authored by researchers, it includes voices of community collaborators, their experiences, frustrations and aspirations. It explores useful theories about infrastructure, engineering and resilience from international academic research, and situates them in community-based co-design experience, to explain why bottom-up approaches are needed and how they might succeed.

Livestream for Reveil 10 on Dawn Chorus Day

REVEIL 24+1 HOUR BROADCAST 2023

5AM London time (UTC+1) on Saturday 6 MAY to 6AM on Sunday 7 MAY 2023

soundtent.org/reveil

I’m delighted to be hosting a stream from Seoul, South Korea, for Reveil 2023.

Reveil travels West on live audio feeds from streamers around the world at daybreak, making a loop over one earth day.

Reveil (2014—) is a collective production by streamers at listening points around the earth. Starting on the morning of Saturday 6 May in South London near the Greenwich Meridian, the broadcast will pick up feeds one by one, tracking the sunrise west from microphone to microphone, following the wave of intensified sound that loops the earth every 24 hours at first light.

Streams come from a variety of locations, at a time of day when human sounds are relatively low, even in dense urban areas. This tends to open the sound field to a more diverse ecology than usual. The Reveil broadcast makes room by largely avoiding speech and music, gravitating to places where human and non human communities meet and soundworlds overlap.

Each stream brings something different to the loop.

REVEIL 10 goes back to its starting point, giving attention to live sounds of places as first light reaches them.

Yongsan-gu Crow’s Nest Stream page

Flow Over Water Borders at Walls Have Ears | ARS Art Factory, Tallinn

Flow Over Water Borders (2019)
Walls Have Ears
ARS Art Factory
Tallinn, Estonia

10th – 18th February 2023

“Flow Over Water Borders” by Kat Austen is presented as a 4-channel sound installation that explores fluidity of identity in relation to borders. Paracelsus famously said of all substances “It is only the dose which makes a thing poison.” Borders constrain and divide, they are often contested, policed, enforced. Yet they also protect, define, collect… Their value is in the way that they and their permeability are navigated. 

Drawing parallels between urban life for young people and the changes to water as it passes through the city, this sound artwork sheds light on the meaning of boundaries, the fluid nature of the self and the eternal navigation of the individual as part of society.

The artwork is based on participatory artistic research focussed on the Panke River in Berlin with local school pupils. Realised through DIY Hack the Panke’s Science by Doing with Art Laboratory Berlin.

Festival Website Walls Have Ears / Sientel On Korvad

More information Flow Over Water Borders

More information Science by Doing at Art Laboratory Berlin’s site

Mapping Gender at Worthing Theatre

Photo: Lawrie Smail

Mapping Gender Performance

Sat 18 Feb 2023 at 7:30 pm

Worthing Museum and Art Gallery,
Chapel Road,
Worthing,
West Sussex, BN11 1HP, UK

We’re delighted that Anders will be performing Mapping Gender with Kat’s soundscape in the Main Gallery at Worthing Museum and Art Gallery in February.

Mapping Gender is a multisensory exhibition of dance, image, scent, sound and research. It’s an invitation to explore the parallels between cartography and historical clothing through a lens of non-binary experiences. Created by Anders Duckworth in collaboration with sound artist Kat Austen, Mapping Gender looks at landscapes, the way we draw borders and create boundaries on maps to carve up geographical space whilst also asking us to explore how we look at the body and how we use gender to carve and divide people.

More information and tickets

Read the interview with Anders Duckworth on the Worthing Theatres and Art Museum blog

Members pre-sale Tuesday 13 September, 10am
General on-sale Friday 16 September, 10am

Fossil Echoes Book Published

We are thrilled to announce the publication of Kat’s book Fossil Echoes, which draws together two of my artworks that look at the consequences of human addiction to fossil fuels. On one side, This Land is Not Mine about brown coal mining and its effect on landscape and culture. On the other, Stranger to the Trees about how microplastics created from oil interact with trees.

This bi-lingual (German / English) limited edition publication has a Foreword by artist and curator Dominika Kluszczyk with translation by Vanessa Kreitlow. It is printed by Umweltdruck in Berlin and is also available as a pdf under CC-BY-SA 4.0 license.

The publication was funded as part of the Neustart Kulture Module C funding afforded for Stranger to the Trees by BBK Berlin.

Learning from Landscapes for the Post-Anthropocene – Publication

Kat’s essay, commissioned by the Against Catastrophe research project, has been published in the project’s most recent edition, the Energy Dispatch. The article draws on Kat’s research for This Land is Not Mine to explore what secrets post-extractive landscapes reveal for a sustainable future.

“There is something captivating about destruction on an epic scale. The horror of it draws the eye and ear, pulling focus. Looking out across acres of scarred earth at the open cast lignite mine of Janschwalde near Cottbus / Chóśebuz in Lausitz (Lusatia in English) by the German-Polish border, the sheer magnitude of the anthropogenic change visited on the landscape is magnificent and catastrophic. Yet, scale and perspective are key here. Is it possible to look beyond this immensity and find that, at other scales and in other timeframes, there are stories evolving that transcend catastrophe?”

Access the full multimedia article “Learning from Landscapes for the Post-Anthropocene” at the Against Catastrophe site.

Energy Dispatch is the second online publication drop on the website of our multimodal research project, ‘Against Catastrophe’.

The aim of Against Catastrophe is to interrogate the concept of catastrophe and explore anti-catastrophic practices to expose the longer-term structural causes and implications of catastrophes and catastrophic thinking, rhetoric, and imaginaries. The focus throughout is on how novel approaches
in design, architecture, and technology can open possibilities for navigating a catastrophic world, but also expand epistemic horizons beyond apocalyptic thinking. The project outputs include an edited volume, offline and online exhibitions, and a series of online publications, called ‘Dispatches’.

In the second dispatch on “Energy” edited by Johanna Mehl and Moritz Ingwersen contributors seek out remediations of catastrophe that reject the dichotomy of utopia and apocalypse to foreground the uneasy and ambiguous emplacements of energy, where shifting constellations of power and the imagination, more-than-human ecologies and socio-technical infrastructures continuously intersect. You can read the full editorial statement here.

Kat’s article is based on her research for This Land is Not Mine installation and This Land is Not Mine album, supported by the IASS Potsdam Artist Fellowship 2020.

‘Against Catastrophe’ is led by Dr. Orit Halpern, Lighthouse Professor and Chair of Digital Cultures and Societal Change at Technische Universität Dresden. The core project team led by Sudipto Basu is based out of Concordia University (Montreal), MIT, and TU Dresden. With illustrations and design treatment by T.S. Halpern.

‘Against Catastrophe’ is funded by Fonds de recherche du Québec and the Swiss National Science Foundation, and is part of the larger Governing Through Design research cluster.

Launching Seoul Rhythms at V&A London

We’re delighted to launch the Seoul Rhythms project this week at the V&A Museum Friday Late: Making Waves on 25th November.

V&A South Kensington
25th November 2022
Friday Late: Making Waves
18:30 – 22:00
Visit Seoul Rhythms | Summer (2022) in The Globe, Europe 1600–1815 Galleries, Room 4 (Making Waves Programme pdf)

Video Artwork credits:
Director: Daye Yang, Enseo Mo, Oh Se Ae
Photography & artwork: Oh Se Ae
Hair: Daye Yang
Makeup: Min Kim, Jiwon Lee
Styling: Eunseo Mo
Model: Yanghee Han

Times and tempos within cityscapes coexist. These conversations – not just between humans but also with the creatures and natural processes in a place – are unique and in constant dynamic variation.

The 2-channel sound installation Seoul Rhythms | Summer (2022), premiering within the context of the Hallyu (Korean Wave) Late in The Globe at the V&A, brings together tempos of the capital city of the Republic of Korea at the height of summer, interweaving sounds of cicadas, mopeds, birds and busses in a rhythmic exploration of the metropolis’s character.

Seoul Rhythms | Summer (2022), released to coincide with the V&A Late, is the first movement from the ongoing Seoul Rhythms project, which situates the exploration of the tempos of daily life in the rhythm of the passing seasons.

Download Seoul Rhythms | Summer (2022) on Bandcamp