Solidarity Fund · Hydro In the wake of devastating floods that hit Slovenia in early August, many find themselves without homes and irreplaceable memories. In partnership with Kamizdat Label, we wish to lend a helping hand to these resilient people by curating an online audio compilation that features the generous contributions of artists who have donated their music to this cause. All financial contributions from the sale of the compilation will be sent to the flood relief fund of the Volunteer Fire Fighting Society, Črna na Koroškem. Our hearts go to those who depend on gestures of solidarity at the time of our planetary transformations.
Solidarnostni sklad · Hidro
Po uničujočih poplavah, ki so Slovenijo prizadele v začetku avgusta, so mnogi ostali brez domov in nenadomestljivih spominov. V sodelovanju z založbo Kamizdat želimo tem vztrajnim ljudem ponuditi pomoč s spletno zvočno kompilacijo, na kateri so zbrani prispevki umetnikov, ki so za ta namen darovali svojo glasbo. Vse finančne prispevke od prodaje kompilacije bomo nakazali v sklad Prostovoljnega gasilskega društva Črna na Koroškem. Naša srca so z vsemi, ki so odvisni od solidarnostnih gest v času naših planetarnih sprememb.
OR poiesis · Tsuki no jūryoku Brandon LaBelle · Planetary Listening Brane Zorman · The Tree Spirits I Touch (excerpt) Bojana Šaljić P. · The Last Animal / Ujjayi * Toni Dimitrov · A Night at Letea Karmen Ponikvar · Look, the snowflakes are moving upwards (excerpt) Mauricio Valdés San Emeterio · Ejarbe ** Dronišnica · It’s Time to Drink Water Kikiriki · Drop Brgs · Mushroom Therapy (remix) Irena Pivka · EchoWalk Kat Austen · Multifurcation (Movement 4 from The Matter of the Soul Symphony) Hugo Lioret · Interchange [43.961436, 1.019804] Lena Ortega · Dandelion David Bilek · Intermezzo for a Confused Dragonfly mʊdʌki · soft txt I mʊdʌki · soft txt II Tao G. Vrhovec Sambolec · Lost Algoritmhs Saša Spačal · Anatomy of a Symbiosis: Slicing 12 Miha Godec · Echoing Tides Shekuza · Stay Strong AGF · Elemental Slovenia Zergon · Pralik Sujevera · River Tensions Manja Ristić · Schwarze Aist [Austrian––Czech Borderlands, July 2023] Luka Prinčič ·coHydrogen beepblip · Voluminous Movement of a Watery Earth (excerpt) Robertina Šebjanič · hydro_Agitations
* Ocean breath
** Increase of the volume of water in rivers due to heavy rainfall.
released September 1, 2023
Robertina Šebjanič, Ida Hiršenfelder · curators, graphic design Luka Prinčič · mastering Luka T. Zagoričnik, Luka Prinčič · executive production, promotion
In 2017 Kat went to Nunavut in the Arctic on a residency with Friends of Scott Polar Research Institute in Cambridge, to carry out artistic research into the reaction of ice and water to the climate crisis through sound. It was for this residency that Kat developed circuit bent instruments from scientific equipment usually used to measure chemical and physical properties of water, like temperature and acidity. Kat used these to listen to the process of measurement, as a comment on not only the rapidly changing Arctic environment, but also the datafication of human relations to environmental catastrophe.
The resulting work, The Matter of the Soul, has been featured on the BBC and performed around the globe including at COP24 in 2018 as part of the Greenpeace ClimateHub in Katowice.
Kat has gone on to apply these instruments to many other environments and ecosystems, including Lausitz for This Land Is Not Mine and liminal landscapes as part of my compositions for Mapping Gender.
Kat will perform her album This Land is Not Mine as part of the dotolim concert series.
dotolim is a longstanding experimental music venue and recording studio run by Jin Sangtae, which hosts performances and concerts with people with different perspectives in various fields, as well as film screenings and exhibitions.
The “This Land is Not Mine” LP combines 7 songs by musician and sound artist Kat Austen. Austenmelds acoustic and electronica with field recordings, in this homage to a landscape ravaged by open cast mining: Lusatia, at the German-Polish border. Realised over the course of 2 years, This Land is Not Mine is a modern-day protest album, telling the stories of villages lost to the past, rivers that harbour secrets and communities that rebuild in the wake of mine closures.
Austen’s musical roots hail back to classical piano, metal and folk. Since 2018, Austen has been releasing music that mixes field recordings and ambient electronic sounds with traditional instruments to create a unique and evocative sonic tapestry.
Some field recordings for the album were gathered through a crowdsourcing platform Lausitzklang that explores the sounds of Lusatia.
Co-designing Infrastructures tells the story of a research programme designed to bring the power of engineering and technology into the hands of grassroots community groups, to create bottom-up solutions to global crises. Four projects in London are described in detail, exemplifying community collaboration with engineers, designers and scientists to enact urban change. The projects co-designed solutions to air pollution, housing, the water-energy-food nexus, and water management. Rich case-study accounts are underpinned by theories of participation, environmental politics and socio-technical systems. The projects at the heart of the book are grounded in specific settings facing challenges familiar to urban communities throughout the world. This place-based approach to infrastructure is of international relevance as a foundation for urban resilience and sustainability. The authors document the tools used to deliver this work, providing guidance for others who are working to deliver local technical solutions to complex social and environmental problems around the world.This is a book for engineers, designers, community organisers and researchers. Co-authored by researchers, it includes voices of community collaborators, their experiences, frustrations and aspirations. It explores useful theories about infrastructure, engineering and resilience from international academic research, and situates them in community-based co-design experience, to explain why bottom-up approaches are needed and how they might succeed.
I’m delighted to be hosting a stream from Seoul, South Korea, for Reveil 2023.
Reveil travels West on live audio feeds from streamers around the world at daybreak, making a loop over one earth day.
Reveil (2014—) is a collective production by streamers at listening points around the earth. Starting on the morning of Saturday 6 May in South London near the Greenwich Meridian, the broadcast will pick up feeds one by one, tracking the sunrise west from microphone to microphone, following the wave of intensified sound that loops the earth every 24 hours at first light.
Streams come from a variety of locations, at a time of day when human sounds are relatively low, even in dense urban areas. This tends to open the sound field to a more diverse ecology than usual. The Reveil broadcast makes room by largely avoiding speech and music, gravitating to places where human and non human communities meet and soundworlds overlap.
Each stream brings something different to the loop.
REVEIL 10 goes back to its starting point, giving attention to live sounds of places as first light reaches them.
Flow Over Water Borders (2019) Walls Have Ears ARS Art Factory Tallinn, Estonia
10th – 18th February 2023
“Flow Over Water Borders” by Kat Austen is presented as a 4-channel sound installation that explores fluidity of identity in relation to borders. Paracelsus famously said of all substances “It is only the dose which makes a thing poison.” Borders constrain and divide, they are often contested, policed, enforced. Yet they also protect, define, collect… Their value is in the way that they and their permeability are navigated.
Drawing parallels between urban life for young people and the changes to water as it passes through the city, this sound artwork sheds light on the meaning of boundaries, the fluid nature of the self and the eternal navigation of the individual as part of society.
The artwork is based on participatory artistic research focussed on the Panke River in Berlin with local school pupils. Realised through DIY Hack the Panke’s Science by Doing with Art Laboratory Berlin.
Worthing Museum and Art Gallery, Chapel Road, Worthing, West Sussex, BN11 1HP, UK
We’re delighted that Anders will be performing Mapping Gender with Kat’s soundscape in the Main Gallery at Worthing Museum and Art Gallery in February.
Mapping Gender is a multisensory exhibition of dance, image, scent, sound and research. It’s an invitation to explore the parallels between cartography and historical clothing through a lens of non-binary experiences. Created by Anders Duckworth in collaboration with sound artist Kat Austen, Mapping Gender looks at landscapes, the way we draw borders and create boundaries on maps to carve up geographical space whilst also asking us to explore how we look at the body and how we use gender to carve and divide people.
We are thrilled to announce the publication of Kat’s book Fossil Echoes, which draws together two of my artworks that look at the consequences of human addiction to fossil fuels. On one side, This Land is Not Mine about brown coal mining and its effect on landscape and culture. On the other, Stranger to the Trees about how microplastics created from oil interact with trees.
Kat’s essay, commissioned by the Against Catastrophe research project, has been published in the project’s most recent edition, the Energy Dispatch. The article draws on Kat’s research for This Land is Not Mine to explore what secrets post-extractive landscapes reveal for a sustainable future.
“There is something captivating about destruction on an epic scale. The horror of it draws the eye and ear, pulling focus. Looking out across acres of scarred earth at the open cast lignite mine of Janschwalde near Cottbus / Chóśebuz in Lausitz (Lusatia in English) by the German-Polish border, the sheer magnitude of the anthropogenic change visited on the landscape is magnificent and catastrophic. Yet, scale and perspective are key here. Is it possible to look beyond this immensity and find that, at other scales and in other timeframes, there are stories evolving that transcend catastrophe?”
Energy Dispatch is the second online publication drop on the website of our multimodal research project, ‘Against Catastrophe’.
The aim of Against Catastrophe is to interrogate the concept of catastrophe and explore anti-catastrophic practices to expose the longer-term structural causes and implications of catastrophes and catastrophic thinking, rhetoric, and imaginaries. The focus throughout is on how novel approaches in design, architecture, and technology can open possibilities for navigating a catastrophic world, but also expand epistemic horizons beyond apocalyptic thinking. The project outputs include an edited volume, offline and online exhibitions, and a series of online publications, called ‘Dispatches’.
In the second dispatch on “Energy” edited by Johanna Mehl and Moritz Ingwersen contributors seek out remediations of catastrophe that reject the dichotomy of utopia and apocalypse to foreground the uneasy and ambiguous emplacements of energy, where shifting constellations of power and the imagination, more-than-human ecologies and socio-technical infrastructures continuously intersect. You can read the full editorial statement here.
‘Against Catastrophe’ is led by Dr. Orit Halpern, Lighthouse Professor and Chair of Digital Cultures and Societal Change at Technische Universität Dresden. The core project team led by Sudipto Basu is based out of Concordia University (Montreal), MIT, and TU Dresden. With illustrations and design treatment by T.S. Halpern.
‘Against Catastrophe’ is funded by Fonds de recherche du Québec and the Swiss National Science Foundation, and is part of the larger Governing Through Design research cluster.